Origami Cosmos

by James Ilgenfritz

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  • Pre-order of Origami Cosmos. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it's released.
    releases March 24, 2017

     $7 USD  or more

     

  • Compact Disc (CD)

    6-panel Digipak with comments from each composer and artwork from Peter Gannushkin, Yuri Zupancic, and James Ilgenfritz.

    Includes digital pre-order of Origami Cosmos. You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it's released.
    digital album releases March 24, 2017
    item ships out within 4 days

     $12 USD or more

     

1.
2.
Four Moons Of Pluto
3.
Xigliox
4.
Aletheia

about

Bassist James Ilgenfritz offers his second solo CD, again exploring the fertile territory between composition and improvisation. Following his debut solo recording Compositions (Braxton) 2011 (dedicated entirely to the music of composer Anthony Braxton), this record features works by four composers who have each contributed to the distinctive musical community in New York over the last few decades. Each composer worked closely with James Ilgenfritz to write music that was a hybrid of their own creative vision and James’s unusual approach to the bass.

From hypnotic drone works involving Just Intonation and use of multiple bows to astounding feats of technical virtuosity, this collection of works brings hyper- complexity, improvisation, and lyrical beauty together into a deeply personal tour-de-force of musical invention.

Annie Gosfield wrote a piece based on re-arranging James’s unusual vocabulary of extended techniques into a virtuosic hyper-industrial treatise on texture and rhythm.

Miya Masaoka wrote a delicate, drone-based work built on sustained harmonics and microtonal tunings.

JG Thirlwell (Foteus, Steroid Maximus, Venture Brothers, Archer) created a work that constantly careens from lyricism to ferocity, from precision to frenetic abandon.

Elliott Sharp wrote a work that employs unusual bows and objects, from using multiple bows at once to using springs and ball chains to get bizarre, other-worldly textures from the bass.

credits

releases March 24, 2017

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